Posts Tagged ‘landscape’

Exercising Artistic License

December 24th, 2009 by Chester Bullock

12.24.09


People look at the above photo and almost immediately ask “what’s up with those funky clouds?” I tell them that this isn’t a straight picture, it’s a reflection out of a mud puddle. “Ooohhhhhh, now I see.” The inversion of this image so that the mountain is pointing up totally throws people off. It’s kind of funny to me, but it also makes me wonder how good of an idea it was to flip it 180° to satisfy my feelings on what looks better.

Compare the shot above to the original below:
Reflections - Original
Which works better for you? Or should I not have gone through all this, and instead used a different image I captured, from a little further out, that really puts the scene in context?
Reflections - Different Vantage

Me being me, I naturally continue to like the first the best. I think if it makes people talk, then it can’t be all bad, right?

Review: The Art of Black and White Photography

October 23rd, 2008 by Chester Bullock

10.23.08

Book Cover
“The Art of Black and White Photography”, by Torsten Andreas Hoffman, is the latest Rockynook book that I have read. So far, only one Rockynook title has disappointed me. “The Art of Black and White Photography” was definitely not a disappointment.
Read the rest of this entry »

My Flickr “interesting” shots

September 29th, 2008 by Chester Bullock

09.29.08

View fit for a kingFlickr has a way of measuring the popularity of a photo. They call in “interestingness”. Here is their definition:

Besides being a five syllable word suitable for tongue twisters, it is also an amazing new Flickr Feature.

There are lots of elements that make something ‘interesting’ (or not) on Flickr. Where the clickthroughs are coming from; who comments on it and when; who marks it as a favorite; its tags and many more things which are constantly changing. Interestingness changes over time, as more and more fantastic content and stories are added to Flickr.

We’ve added some pages (and changed some existing ones) to help you explore Flickr’s most interesting content. Before you start though, you might want to take your phone off the hook, send your boss to an executive training session and block off some time on your schedule, because we don’t think you’re going to be walking away from your screen any time soon. Beautiful, amazing, moving, striking - explore and discover some of Flickr’s Finest.

Each day their “interestingness” engine (or maybe people behind the curtains) identify the previous days most interesting photos, and place them at http://www.flickr.com/explore. I have personally never had a photo make it into this feature. But I am curious about which of my photos people like. Fortunately, someone made a tool to determine this.

You can see my most interesting pictures. If you have a Flickr account, you can use the following URL to see what yours are (make sure to bookmark it): http://interestingby.isaias.com.mx/pm.php?id=xxxx&theme=white - to use this URL, replace the 4 x’s (after id=) with your Flickr User ID (something like 21716481@N07). You can find your Flickr User ID by going to http://bighugelabs.com/flickr/dna.php and entering the email address you use for your Flickr account.

I am really interested in seeing other people’s “interesting” photos. Take a moment and post a link to yours in the comments. The photo above is the #1 result for mine.

Images that move you

September 11th, 2008 by Chester Bullock

09.11.08

Bear Lake, Rocky Mountain National Park
A couple weeks ago, Photography Director Rob Haggart wrote a blog post entitled “Here’s What I Think Of Your Pictures“. It seems to have struck a chord with a number of people, myself included. I am a flickr-holic, constantly browsing the recent uploads to see what is moving through there. Most of it is uninspiring. A lot of cutesy snapshots (not that I am above taking such images). Every once in a while though, I see an image that moves me, and I either favorite it, or sometimes go so far as to add the photographer as a contact. The timing of Rob’s post is interesting. It came right about the time I was editing the photo above. The original is in color, and the sky is horribly blown out. But because I shot it in RAW, and with the assistance of a friend and also Lightroom 2, I was able to selectively adjust the exposure of the sky, bringing out more detail. Then I went in a direction I don’t normally go.

Sepia has never done a whole lot for me. In my mind, it just made things look “antiquey”. But as I was floating over the presets in LR2, the preview of the Sepia version caught my eye. I applied it, and you see the result (after about 4 iterations of exposure correction, leveling the shoreline, etc - see the original color version). Now this photo talks to me. I am sure it is in part because that is “daddy’s little girl” in the picture. But for me, this was a rare instance where she was sitting idle, taking in the scene. None of it was staged, other than me telling her to sit on the rock so I could take some pictures. The rest was all her. I have some with her facing me, some with her back to me (such as this), but it was all her choice. The strap on her shirt off her shoulder, the hair, everything about it was as it happened. I didn’t do anything but take the picture. I have always said that I am more lucky than anything else - right place, right time.

I printed this image on the color laser at work, using HP Glossy Laser Photo Paper and have shown it to some people, looking for objective opinions. The reactions were all the same. This picture moved them. They all interpreted it differently, but the bottom line is that it moved them in some way. This is what Rob was looking for in his blog post. I feel fortunate that I was able to capture a moment that has moved some people. But I also know I cannot bask in the glory of this moment for long. There is no doubt that I will still get more snapshots than moving pictures. But at least I know I am capable.

Don’t pigeon-hole me

September 6th, 2008 by Chester Bullock

09.06.08

Cactus I have been reading more than a few books on the subject of photography lately. Also been hanging around some interesting conversations that have made me think (never a bad thing). Some of what I am seeing and hearing is this: specialize so that you will be known in that area. Presumably this would be true also because it would allow you to hone your skills in that area.

But I like to be different. And the last thing I like is to be pigeon-holed.

My photographic interests have evolved over the years. My current “collection” of interests is as eclectic as my taste in music. For me it is more a matter of inspiration than anything else. If I feel inspired, I’ll take a picture of whatever it is that made me feel that way. Could be a padlock, a surfer walking on a beach, a solitary cactus, or my family. There is no rhyme or reason to it. It just happens, and I hope I was smart enough to bring my camera.

Sure, it could be that I don’t make the absolute best image for that “category”, but if it is pleasing to me, isn’t that enough? Some people I know are too kind and tell me that I have “the eye” for certain types of photography, and ask why I don’t do it full time. The answers are fairly simple.

  1. I have a day job that I really enjoy
  2. I make a good living at said day job
  3. I have turned a hobby into a profession before, and I started to burn out

Family photo So instead I choose to keep this low-key, taking pictures at events I am part of, doing our family portrait or pics of the kids, and basically keep this fun. Does this mean that I can’t try to sell my photos? Of course not.

I can make this fun, and maybe make some side money from it too. More importantly, I have the freedom to expand my horizons. I love landscapes and flower macros and think I do well with them. I don’t do well with people (I am a computer geek after all), so that is what I want to work on next. But I can also take a time out and have fun making a stock photo when conditions warrant. I can be whoever I want, because I don’t have responsibilities around it, nor the trappings that come with that responsibility. If some images sell along the way, that’s great. But if I enjoy the pictures I take, then that is all I need. Just don’t tell me who I should be. My portfolio will tell you who I am.

Review: Helicon Focus

August 23rd, 2008 by Chester Bullock

08.23.08

In reviewing George Barr’s “Take Your Photography to the Next Level”, I noticed two things. 1. George Barr stitches a lot of images together (a topic for another day) and 2. Mr. Barr uses Helicon Focus quite a bit.

Helicon Focus is designed (per their website) for:

  • micro photography (camera + optical microscope)
  • macro photography (camera + macro lenses )
  • landscape photography (infinite depth of field)

I have only done a couple of tests with it so far (it rained here in Colorado most of the weekend), but I think a definitive one is illustrated below. I want to thank George Barr for bringing this tool to me eyes, and to Dan Kozub (in the Ukraine) for writing it. I am going to use it a lot when I do flower macros, etc.

My first attempt at doing a test didn’t come out so well (I didn’t even save the result). The primary reason? I was trying to do it handheld. You definitely want to use a tripod for this.

Since it was raining all weekend, I just set up my small tripod on the kitchen table and took some pics looking into my wife’s office. For this test, I snapped a total of five pictures, all in manual focus mode. Here is the first:
P8172066-helicon (by Chester Bullock) Notice that the computer monitor and other items are well out of focus in the background. Here is the relevant EXIF data:
Camera: Olympus E-510
Exposure: 0.2 sec (1/5)
Aperture: f/5.3
Focal Length: 34 mm
ISO Speed: 100
Exposure Bias: 0/10 EV

Following this shot, I rotated the focus ring a little ways and snapped another. I did this 2 more times before taking this final shot (for a total of 5).
P8172070-helicon (by Chester Bullock) Notice that things in the background are in much better focus now. Here is the relevant EXIF data:
Camera: Olympus E-510
Exposure: 0.167 sec (1/6)
Aperture: f/5.3
Focal Length: 34 mm
ISO Speed: 100
Exposure Bias: 0/10 EV

Obviously you can guarantee best results by being in full Manual mode and making sure the aperture and exposure are the same for each picture. Since this was a crude, last minute test, I didn’t go that far.

Here is the resulting image from a combination of the 5, using the default settings in Helicon Focus.
compilation-helicon (by Chester Bullock)

The difference is pretty obvious, and pretty striking as well. All told, it took about 20 minutes for the software to process the 5 Olympus RAW images (~8MB each) into the resulting image above. I can’t wait to get out in the field and try this on some flowers. Just make sure your objects are stationary. As you can tell from the Windows logo on the computer screen, EVERYTHING makes it into the final image.

For more information, or to purchase this software, go to http://www.heliconsoft.com/heliconfocus.html - you won’t be sorry you did.

Be aware that there is not much in the way of tutorial information. You really need to experiment with the program or look in the forums to get an idea of what you are doing. I figured out that I needed to shoot several images, and then simply loaded them in and let it do it’s thing. Very cool tool!