As we were driving into the Bear/ Sprague Lake area on Sunday, we drove alongside Mill Creek and I noticed that it had a significantly-sized channel with a lot of boulders in it. I filed it away in the back of my mind, thinking it warranted more inspection. I think Megan noticed it too.

After we wrapped up with all the shooting at Bear Lake and Sprague Lake, we started to head out of the park. It had rained pretty good, and the roads were pretty wet. As we crossed the bridge over Mill Creek, Megan and I agreed that we should at least check the site out. I was a bit concerned because of how much it had rained. The rocks looked pretty slick. We walked all the way from where we parked down to the bridge (where I took a photo of the underside of the bridge because of George Barr and his book. I still had reservations because of the wetness of the rock, but Megan wanted to do it and was confident she could if she went barefoot.

Throwing caution to the wind, we went out into the boulder field/ creek. I wouldn’t want to try this in May/ June when the runoff is raging through there, but at this time of the year the creek was pretty tame. I found what I thought was a good rock for Megan to pose on. I got a good number of shots of her on that rock. Some laughing, some serious, but all good I think. I decided to “think outside the box” a little and moved her off to one side of the frame. That resulted in the picture above. When she saw it in camera later, she was really excited. Didn’t catch what she thought of it full size on the screen. Guess I’ll have to dig into her myspace page - I am sure it is there if she liked it.

For me though, this image could be used to convey so many thoughts. I could easily see it being some type of album cover (or something along these lines at least), or an advertisement, or just an interpretive piece for the viewer to decide what it means. For some reason this image is very powerful to me. Maybe I am reading more into it since I took the image. Definitely possible. Doesn’t matter though, I really like it.

In reviewing George Barr’s “Take Your Photography to the Next Level”, I noticed two things. 1. George Barr stitches a lot of images together (a topic for another day) and 2. Mr. Barr uses Helicon Focus quite a bit.

Helicon Focus is designed (per their website) for:

• micro photography (camera + optical microscope)
• macro photography (camera + macro lenses )
• landscape photography (infinite depth of field)

I have only done a couple of tests with it so far (it rained here in Colorado most of the weekend), but I think a definitive one is illustrated below. I want to thank George Barr for bringing this tool to me eyes, and to Dan Kozub (in the Ukraine) for writing it. I am going to use it a lot when I do flower macros, etc.

My first attempt at doing a test didn’t come out so well (I didn’t even save the result). The primary reason? I was trying to do it handheld. You definitely want to use a tripod for this.

Since it was raining all weekend, I just set up my small tripod on the kitchen table and took some pics looking into my wife’s office. For this test, I snapped a total of five pictures, all in manual focus mode. Here is the first:
Notice that the computer monitor and other items are well out of focus in the background. Here is the relevant EXIF data:
Camera: Olympus E-510
Exposure: 0.2 sec (1/5)
Aperture: f/5.3
Focal Length: 34 mm
ISO Speed: 100
Exposure Bias: 0/10 EV

Following this shot, I rotated the focus ring a little ways and snapped another. I did this 2 more times before taking this final shot (for a total of 5).
Notice that things in the background are in much better focus now. Here is the relevant EXIF data:
Camera: Olympus E-510
Exposure: 0.167 sec (1/6)
Aperture: f/5.3
Focal Length: 34 mm
ISO Speed: 100
Exposure Bias: 0/10 EV

Obviously you can guarantee best results by being in full Manual mode and making sure the aperture and exposure are the same for each picture. Since this was a crude, last minute test, I didn’t go that far.

Here is the resulting image from a combination of the 5, using the default settings in Helicon Focus.

The difference is pretty obvious, and pretty striking as well. All told, it took about 20 minutes for the software to process the 5 Olympus RAW images (~8MB each) into the resulting image above. I can’t wait to get out in the field and try this on some flowers. Just make sure your objects are stationary. As you can tell from the Windows logo on the computer screen, EVERYTHING makes it into the final image.

For more information, or to purchase this software, go to http://www.heliconsoft.com/heliconfocus.html - you won’t be sorry you did.

Be aware that there is not much in the way of tutorial information. You really need to experiment with the program or look in the forums to get an idea of what you are doing. I figured out that I needed to shoot several images, and then simply loaded them in and let it do it’s thing. Very cool tool!

Take Your Photography to the Next Level: From Inspiration to Image, by George Barr, is a collection of the most helpful postings from his blog over the past few years. I rank this book right up there with the works of Bryan Peterson in terms of it’s importance to photographers in general. In fact, I would declare this a must read.

Mr. Barr has taken the liberty (well advised in my mind) of editing his prior posts so that they are more current or relevant for this book. I had never heard of him before, but the author is very impressive in terms of how he is able to “see” a great photo in what seem like ordinary or common objects. I do believe that, in the course of my learning to take better pictures, this is the hardest thing to do.

One of the more impressive things about this book is how the editor, author, and Rocky Nook were able to take the blog postings and meld them into a cohesive book. It follows a fairly structured order, and includes excellent photographic examples along the way. I also particularly like how the author intentionally stayed away from mentioning specific settings and (most of the time) gear used to make certain images. In a few sections of the book, it is pointed out clearly that it is the person taking the photos that is more important than the gear being used, and I agree completely (he does cover the gear he uses at the back of the book).

One other very useful sections is how to deal with rejection and criticism and the whole mindset of taking pictures. I know a few people that could apply the principles of that section (did I mention Barr is a doctor) in their photography or other aspects of their life. Very good stuff, and just another example of how Barr is able to relate to the casual and serious photographer alike.

I could go on and on about this book, but you really should get a copy for yourself. It is outstanding!

Originally saw this video at ProPhotoLife.com and found it to be very useful. I just need to get a reversing ring to try this out at home. I tried it handheld the other day, but with two zoom lenses, it was a bit of a challenge to get a focus. Definitely be easier with a reversing ring and a tripod (I have the tripod).

extreme macro photography trick from Jim Talkington on Vimeo.

Flowers–2, originally uploaded by Dizzle @ 2*3 Photos.

Came across this out front of the REI building in Downtown Denver near the Platte River.

Some folks are great at taking photos of people, some are great at taking photos of things. I am working on my “things”.

So today I went out and purposely did not shoot any images that included people. Instead I focused on flowers and water and whatever else I could find that wasn’t people.

This is my favorite shot of the day, simply because it was my first shot of the day and I think it came out fairly well.

Practice makes perfect…and no one is perfect so I am always practicing.

Enjoy!

Originally posted on 2*3 Photos

Photography is all about light. Exposing a sensor or strip of film to light is how an image is made. So one can only imagine the number of books written covering this very subject. Add one more to the pile with O’Reilly’s Practical Artistry: Light & Exposure for Digital Photographers (Practical Artistry) by Harold Davis.

This book is specifically geared toward the digital photographer, but almost all the ideas can be used for old school film photogs as well.

The book covers a lot of topics including evaluation of light, aperture and shutter speed and an explanation of ISO. There are also chapters on using a digital darkroom and some post processing tips.

Overall the book does a fine job of explaining the basic techniques of lighting and exposure, but it really does try to cover a bit too much. The book does not go in too much detail on any one aspect which left me wanting a lot more.

Understandably the book is a light read with some amazing images (and each image has a brief explanation of settings used to achieve the image) and a good refresher for someone who already has a grasp of lighting and exposure, but if you are looking for a good starting point on lighting and exposure, this may not be the book for you.

Originally posted on 2*3 Photos

HDR (high dynamic range) images are starting to take the photography world by storm (at the time of this writing, the HDR Flickr group has over 18,000 members). If you ask a room full of people what HDR is, you get a wide range of answers, and typically they are all partly correct. Simply put however, HDR imaging is the process of creating an image that encompasses a wide range of exposure values. This allows the resultant image to be nearly all encompassing in every detail. HDR Imaging has, until very recently, been the purvey of Hollywood graphic and special effects artists. “The HDRI Handbook” by Christian Bloch helps bring this exciting arena to everyone else.

Continue Reading »

Sometimes you take a picture and you know in your mind that it could have been different or better if you had taken it on a different day or at a different time. Lighting can play a huge role in what your picture conveys. And this is where “Creative Photoshop Lighting Techniques” comes into play.
Continue Reading »

Still stressing about what to get for that budding photographer in your life? Give the gift of knowledge by surprising them with a gift certificate for a photography class. Local schools are offering exciting workshops that will inspire your photographic friends for months or even years to come. Fess up — you know you can’t really afford all the specialized equipment photogs want anyway since all their “junk is expensive” according to one colleague.

Check out these offerings:

The Denver Darkroom gift certificate can be purchased in any denomination and applied toward classes, workshops and darkroom rental.

Digital Photo Academy’s local instructors Russ Burden and Allen Birnbach teach beginning, intermediate and advanced classes.

Working with Artists offers adult and children photography programs just in case you want to get them hooked to the craft when they are young.

My background in photography is that of a complete layperson. I started out in middle school with the Kodak equivalent of a Polaroid. Eventually I graduated to a 35mm point and shoot. Following that was an Olympus D-490Zoom. All cameras that didn’t allow for a lot of tinkering with settings. Since that was all I knew, I still took pictures that way when I moved on to the more capable Canon Powershot G5. It has full control over aperture, f-stop, etc. But I was very intimidated by trying those kinds of things out. Over the years I had managed to get a few pictures that I was really proud of, and even some that garnered compliments from total strangers.

Continue Reading »