A friend of mine recently had an impromptu family reunion photo shoot come up. Her background, like mine, is traditionally more of an artistic type of photography. She indicated that she had trouble switching to photographer from artist and wanted to know how I managed it.

I was a bit taken aback by this, as I don’t really see myself as being good at the portrait thing (although people are loving Megan’s senior pics - the photo above is one of them). But that isn’t very helpful to anyone, so I thought about it and gave her my gut reaction. I have since thought about it more, and my gut reaction is the same, so here it is.

The focus of a portrait should be the person/ people/ animal that the portrait is supposed to be of. This might sound obvious, but it isn’t always that way, especially in post processing. It is easy for creative people to start saying “what if I cropped here, what if I applied sepia there?” and pretty much forget about what it is they are there to do. When I was doing the processing of the Senior Pictures for my daughter Megan, I had to look at it from my view as a parent. I want a tasteful image that reflects who she is, and where she is the focus.

Another reality with portraits is that people are going to be less likely to have any custom framing done. As such, any cropping you do should have a resultant image in a standard “frameable” size. Not to say some people won’t do the custom thing, but since portraits get sent to a larger audience (parents, grandparents, etc.), it is more helpful if you can keep it standard.

One of the cool things I love about Adobe Lightroom is the easy ability to create and work with virtual copies of an image. This is great for portraits. If I see a shot that might look better with a certain crop, displayed in black and white or sepia, or any other artistic variation, I can apply it to the copy, and upload that with the original and let the buyer choose which they like better. These people are the art directors, not you, and you need to give them all the options. Some might sell, some might not, but at least they will know the options. And if they like it, they will buy it from you instead of trying to do it themselves with whatever photo site they like.

I do still think there is room for being artistic in a portrait situation. I think the example above highlights one such opportunity. As Megan was climbing out into the stream, I saw this shot in my mind. So I stayed put on the banks of the stream and took this shot from further out. Then I clambered into the stream and did the up-close shots before we called it a day.

So in a nutshell, I guess the answer to my friend’s question is “don’t forget that it is about the people and what they want, not necessarily your vision.” But if you offer options, you are that much more ahead of the game.

All in all I have taken somewhere around 200 pictures of Megan in the last couple of months. We did it mostly in 2 location, Golden Gate Canyon State Park and Rocky Mountain National Park. Of those photos, Megan and my wife narrowed it down to 24 that they really liked. Using the guidelines set forth by the Lakewood High School yearbook staff, I narrowed the field down to 6 images I thought would be suitable for a headshot for the yearbook. I then exported these 6 from Lightroom 2 into their own slideshow online (the first time I had used this feature, and it worked pretty well).

Of the 6, the image above is the one she wants to use in the yearbook. After adjusting some of the lighting levels in Lightroom, I took it into Photoshop to apply some effects with Portraiture. The end result is pretty good, and I am sure will look great when printed at 2″ x 2″, or whatever yearbooks are printing at these days.

In the coming months we will be taking more photos. Why? Well, since the bulk of Senior Pictures are sent out in the spring with graduation announcements, party invitations and so forth, we have some time yet to get more pictures in more surroundings at different times of the year. Besides, she is going off to college next year. As her parents, we can never have enough pictures when she is out on her own.

Original, originally uploaded by Sheba Wheeler.

Here is an example of a “before and after” of an image from a recent senior portrait session. Jordan’s mother requested I remove her daughter’s piercing above her right eye.

To achieve this effect, I used some healing to erase the piercing above Jordan’s right eye, smoothed out the dark circles under her eye and around her neck. I sharpened her eyes so they would pop. Then I used a plug-in filter called Portraiture for the glamour affect which softened Jordan’s skin to a flawless glow and evened out her skin tone. Further selective adjustment editing in Curves brightened her face.

If you use this type of processing, I like to apply it in a separate layer and then lower the opacity to about 60 to 65 percent. A little of this kind of touch-up goes a long way and keeps the subject realistic. This image was Jordan’s mother’s favorite from the entire session.

I read a lot. I am one of those types who actually learns from reading…I know, odd in this day in age. Occasionally I will pick up books that seem to offer something for me to learn in their pages, sometimes it’s just because of a recommendation…and other times its on a whim.

I grabbed 100 Ways to Take Better Portrait Photographs on a whim while waiting for a friend to show up at Borders one day a few months back. I figured if nothing else it would be good to have something in the car to read when I had downtime.

Well the book wasn’t as full of learnable (is that a word?) knowledge as I had hoped, but it was full of page after page of inspirational images and techniques. On first glance the book is an easy paced guide to how to make beautiful people more beautiful in photographs. The models on ever page are simply gorgeous…from the women to the men to adorable children. I was very easily drawn in to the images and forgot the words.

But on each page you find an image and a technique that image shows.

I didn’t get a lot of technical know how from this book, but I did get a ton of inspiration from it. I honestly picked up my camera and started shooting anyone who would let me to try out some of the ideas from the book.

I rate this book 3 out of 4 stars, mainly for the inspirational images found inside and many of the clever techniques the book covers.

Originally posted on 2*3 Photos