Practical HDRI: High Dynamic Range Imaging for Photographers by Jack Howard is the latest book I have read on the subject. I haven’t touched my Photomatix software (indeed, even my camera) for some time. Reading through this book helped inspire me to get back out shooting photos, and also to see if Olympus was doing anything to help with the capture of HDR images. As it turns out, the recently released Olympus E-620 has far better support for proper image bracketing to get the exposures you need.

The book itself is fairly short - just 168 pages. But these pages are full of good information and practical examples using more than just one software package. What I like most about it is the frankness of the author when it comes to producing realistic HDR images, as opposed to some of the cartoonish extremes that have come to symbolize the genre. I much prefer a realistic image that has great depth in all ranges between the darkest and lightest sections of the image. In addition to the software examples (Photoshop CS3, Photomatix and FDRTools), the author tells you what to watch for when capturing the images, well before they see the computer.

All in all this was a very worthwhile book, with more than enough interesting bits for the novice and experienced alike. I would definitely recommend this book to anyone who is looking for more information on HDRI.

I have to be honest. When I opened my Gorillapod GP3 as a gift last year, I wasn’t terribly excited. I already had an Ultrapod II and it was working just fine for my needs. I really didn’t see where I would use it in place of the other one. Now, over a year later, I see it for what it is and what it can do.

The unique design of the Gorillapod enables you to make micro adjustments to the height or tilt of whatever you have sitting on top. Not as smooth as a pan/ tilt head, but it isn’t meant to replace a full fledged tripod. The GP3 is the model designed to hold DSLR’s, but they have a range of models for different size cameras, and at different prices.

Mine has been used for taking macro shots, mounting the camera to odd objects (the rubber feet hold it on windows well, as long as you straddle it that is), even wrapping the legs around small fence posts and such. Just the other day I was doing taking some pics in a warehouse and didn’t have a lightstand with me. There was a small step ladder nearby, so I grabbed the Gorillapod, put the Cactus trigger and flash on it - instant lightstand with great “fine-tuning” ability.

It is also quite a conversation piece. I keep it latched onto my Caselogic Hardshell Backpack at all times, even while traveling. People are always asking me “how do you like that? I have been thinking about getting one.” I understand their curiousity and, perhaps, hidden skepticism. I felt the same way. But now I am a believer. If you don’t have one, you don’t know what you are missing, but I would encourage you to get one and try it for yourself.

Exposure Photo Workshop: Develop your digital photography talent, by Jeff Wignall, is part of a new series of books by Wiley. Suitable grouped as Photo Workshop, these books add a modern twist on the classic photography topics we all hold dear. Topics like exposure, composition, lighting, portraits, macro and more, this series will be applicable for years to come.

The reason they will remain applicable is that they have been written specifically for the digital age. In this book, Exposure, the author goes to great lengths not to identify his equipment (at least the body), telling the reader that it doesn’t matter what your gear is, the concepts are the same. One thing I particularly liked about the book (and the whole series follows this pattern) was that, at the end of each chapter, the reader is given a “homework” assignment based on what they just learned. Following this, they are encouraged to upload the photo to a central site where all readers of the series can post and critique photos. For someone too intimidated by places like the dpreview forums, this can be an invaluable experience.

This book covers all the usual aspects you would expect, from light controls, aperture versus shutter speed, depth of field, low light, flash, etc. It even went so far as to talk briefly about off camera flash. There was a lengthy discussion about taking photos of neon at night, which I might use to start a photo book project.

All in all this book is well worth the $29.99 cover price ($19.79 at Amazon) and I look forward to reading more from this series.

Over the past three weeks, I have been trying out a new Kodak All-in-One (AiO) ESP 3 Inkjet printer that arrived at my desk in the newsroom for review. Many of my photography buddies told me it wouldn’t be long before I had two printers in my home office…one for normal printing documents and another reserved for printing photos. So I couldn’t wait to add the ESP 3 into my production work flow.

Overall, I think the ESP 3 is a great printer for the novice photographer to produce prints at home. But for me as a professional, I don’t think the print quality is good enough for selling those same prints to clients.

The ESP 3 (retail $129) is one of the newest models in the Kodak product lineup that prints, copies and scans, and uses Kodak Perfect Touch Technology to enhance less-than-perfect images. Installation of ink cartridges was very easy, and the included instructions were simple to follow. A USB cable had to be purchased separately for under $10, which I thought was a major inconvenience, but once I connected it and installed the software, I didn’t have any other issues printing. The Facial Retouch editing feature in the Kodak Aio Home Center Software that automatically detect faces and enhances facial features with just one click.

I think those features are great for the novice photographer who isn’t yet ready to invest in advanced photo programs or expensive professional photo labs. The designated family snap shooter won’t be able to beat the one-click that reduces the appearance of skin blemishes, whitens teeth and eyes and smooths skin tone, restores color and reduces red eye. Again, as a professional, that’s not a feature I needed, since I do my own post-processing and retouching in Photoshop.

So in order for me to use this printer, the quality of the prints themselves would have to be on the mark. I was disappointed. The photos consistently printed out much darker than what was shown on the computer screen. Even after I tried to adjust the images using the retouching software and resaving the image, the photo was still darker when printed. It may have something to do with the fact that the printer and monitor aren’t calibrated. But I wouldn’t feel comfortable having clients pay full price for the prints from the ESP when it’s clearly obvious that the prints are darker than those images shown on my laptop or desktop. Clients gave in to the impulse buy when I had some ESP 3 prints on hand selling for a reduced price during a presentation. While one client said he thought the photos “were still very good given that they were printed at home,” but he said they were definitely darker than what he had seen during his slideshow presentation.

The Kodak photo paper that came with the printer was very glossy and thick (assuming it would be more durable) and dried extremely fast. But the paper was easily scratched. I had to reprint several photos numerous times and keep them covered with paper to prevent scratches and fingerprints (although if you get fingerprints on them, you can use a microfiber cloth to remove them fairly easily, but don’t rub too hard or you will rub away the ink from the photo paper). I also noticed that several prints had inexplicable pairs of vertical, dashed lines going through them, requiring more reprinting. For now, I will stick with having client package photos professionally printed at Wolf until I can afford a higher quality model such as an Epson or Canon dedicated solely for printing photos.

The ESP did have several saving graces though. I think the prints were great as rough drafts to inspect before sending the final image to the professional printer. There are some things you just don’t notice on a screen that are more evident once the image has been printed. It’s a lot easier to see what needs to be tweaked in post-processing once you have an actual photo in your hand. And I was finally able to print out samples of my work to be displayed on my walls at home. The final display wall is beautiful and eye catching, which went over well with my clients.

“The Art of Black and White Photography”, by Torsten Andreas Hoffman, is the latest Rockynook book that I have read. So far, only one Rockynook title has disappointed me. “The Art of Black and White Photography” was definitely not a disappointment.
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Trying to determine where to host an online gallery is a pretty big deal. There are a plethora of choices, from software to host your own on your own website, to full fledged service offerings that will host all your images, maybe do some marketing for them, and offer a shopping cart system. It seems that every day a new one crops up, and one or two fold. It’s pretty difficult to keep up with them. On top of that, they all have different pricing, which factors into decisions as well.

So, what is an up and coming photographer to do? I have sat back for as long as I could and watched how other people built their sites and learned from them regarding what they did and didn’t like about certain sites. And then I decided to wait until I had to make a decision. For normal hosting of my photos, along with the community features, I really like Flickr. But Flickr doesn’t offer any ecommerce capabilities, and that site isn’t really geared towards sales at all.

Then I stumbled across Imagekind (via Flickr). They have an entry level offering that is free, so I put some pictures on it to see what happened. I linked to it from this site (”Prints For Sale“). I have 16 images there, and they have garnered 96 views, 3 comments, and 0 sales. Certainly I was hoping something would sell, but so far, nada.

Then I did the Lakewood High School cheerleader shoot last weekend, and I needed substantially more capacity, along with some other features. I took this as an opportunity to try out another service - Zenfolio. They have a two week free trial offer that gives you all of the features of the top level account, but limits you to 1GB of storage. There are some pro’s and con’s to the service, but all in all I am happy with it. So much so, that I have subscribed to it for a year. I am not 100% sure how I am going to market my prints on this site, but it definitely made it easy for me to keep the cheerleader pictures private for each girl. Additionally, I was commissioned earlier this week (at the last minute) to do a corporate headshot. I was able to quickly setup a “gallery” for the headshot proofs to go into. After the shoot, I uploaded the pics, my watermark was automatically applied, and the company was able to choose which image they wanted to buy. The bonus? That commission covered the cost of the Zenfolio site for the year. Now, anything I make off of print sales from the cheerleaders will be profit. Not too bad a deal at all.

I am aware that Smugmug is the heavy hitter in this industry, but for some reason I didn’t like what I saw there. I certainly have some issues with the Zenfolio people, but I have taken it up with them and it sounds like they are working on things. I’ll continue on there for the duration of my subscription, but I will also keep an eye out on the competition. If someone clearly does it better, at a similar price point, it would make sense to move. But if Zenfolio proves they can meet my needs, I’ll stay on, and likely become a strong advocate (for whatever that is worth). I work in a customer service type of industry too, and I know what my standards are. Let’s see if Zenfolio can keep up.

BTW - I am probably giving up on Imagekind for now. I’ll still keep the WordPress plugin for Imagekind up and running. I don’t know for sure if anyone is using it, but I suspect some are. Let me know if you do.

I picked up Bryan Peterson’s “Beyond Portraiture”, not because it was written by Bryan (that alone would have been a good reason), but because I have been looking for help on some specific things where portrait photography is concerned. I didn’t really find what I was looking for, but as with all of his books, I did get a lot of helpful insight into making better photographs.

Before I get to what it was I was looking for, I want to tell you what this book does bring. Aside from what you would come to expect (discussions on lighting and exposure), the author starts off by getting you comfortable with talking to people, helping them to understand what you are trying to achieve, and making them into willing participants. For someone like me, this was a very valuable section. From there, the book moves into considerations in actually working with people, and the different types of people you might encounter. Some example of corporate report types of work are included in the book, which I found interesting given how much I follow the work of notable Colorado-based photographer David Tejada.

After the sections on dealing with people, the book then moved into a discussion about light (and I think Bryan is a master at this). From there we get an in-depth look at composition. This was particularly useful, as composition considerations are definitely different for people than they are for landscapes, etc.

The last section was perhaps one of the most useful for me, covering different techniques to digitally edit photos. As long as I have been using Photoshop (since 1995), you would think that I would know a lot more than I do. But for me it has always been a tool for editing web images. I have always known the power that Photoshop has, but never taken the time to learn more about it. The edits that Bryan presents are relatively simple and could be immensely useful if you don’t already know them.

All in all, I highly recommend this book. It didn’t have “posing” information that I have been looking for, but I got far more out of this book than that one subject is worth. Pretty sure I can find that info somewhere else.

With this photography thing, I sometimes I feel like I am cramming a lifetime of learning into as small an amount of time as possible. But I am learning, which is always a good thing to do. I hope you are continuing to learn as well.

Take Your Photography to the Next Level: From Inspiration to Image, by George Barr, is a collection of the most helpful postings from his blog over the past few years. I rank this book right up there with the works of Bryan Peterson in terms of it’s importance to photographers in general. In fact, I would declare this a must read.

Mr. Barr has taken the liberty (well advised in my mind) of editing his prior posts so that they are more current or relevant for this book. I had never heard of him before, but the author is very impressive in terms of how he is able to “see” a great photo in what seem like ordinary or common objects. I do believe that, in the course of my learning to take better pictures, this is the hardest thing to do.

One of the more impressive things about this book is how the editor, author, and Rocky Nook were able to take the blog postings and meld them into a cohesive book. It follows a fairly structured order, and includes excellent photographic examples along the way. I also particularly like how the author intentionally stayed away from mentioning specific settings and (most of the time) gear used to make certain images. In a few sections of the book, it is pointed out clearly that it is the person taking the photos that is more important than the gear being used, and I agree completely (he does cover the gear he uses at the back of the book).

One other very useful sections is how to deal with rejection and criticism and the whole mindset of taking pictures. I know a few people that could apply the principles of that section (did I mention Barr is a doctor) in their photography or other aspects of their life. Very good stuff, and just another example of how Barr is able to relate to the casual and serious photographer alike.

I could go on and on about this book, but you really should get a copy for yourself. It is outstanding!

As a photographer I am always being told to read this book or check out that book. Usually I will try to pick up whatever is recommended and at least glance at it to see if it’s really THE book that I need to read to become a better photographer.

Since I got back in to serious shooting two books have been mentioned repeatedly, Bryan Peterson’s Understanding Exposure: How to Shoot Great Photographs with a Film or Digital Camera and most recently The Moment It Clicks: Photography secrets from one of the world’s top shooters by legendary photographer Joe McNally.

The Moment It Clicks is not just a recommended read by me, but a true MUST HAVE!! Every photographer, from the new adopters with a simple point and shoot to the most seasoned pro, should OWN this book. This is not a book you read, this is a book you experience.

I will admit to you, I am writing this review without having actually read the book. Simply, I can’t just sit down and read this…it’s not that kind of book.

Each page contains a tip from Joe, be it something he picked up shooting for National Geographic or something he picked up as a photographer at the New York Daily News or just some simple idea that seems obvious once you read it, but just never really entered your mind. Along with each tip is a quick story and photo with how the photo was taken at the end. But these aren’t your usual stories, many of these are inside industry info that one would get if they were out in the field shooting in, oh let’s say Antartica for a Time magazine feature, and got a request from a photo editor.

In the past two weeks since I bought this book I have found myself just picking it up and opening to a page and starting from there. I have a Post-It pad next to the book so I can sticky those tips that I want to remember…my book is now FULL of sticky notes.

Seriously, this is not a book that I received for review, this is a book that I went out and purchased with my hard-earned money and it was worth every penny. I give this book 4 out of 4 stars…10 out of 10…whatever rating system you want to use, The Moment It Clicks rates tops!

Originally posted on 2*3 Photos

Photography is all about light. Exposing a sensor or strip of film to light is how an image is made. So one can only imagine the number of books written covering this very subject. Add one more to the pile with O’Reilly’s Practical Artistry: Light & Exposure for Digital Photographers (Practical Artistry) by Harold Davis.

This book is specifically geared toward the digital photographer, but almost all the ideas can be used for old school film photogs as well.

The book covers a lot of topics including evaluation of light, aperture and shutter speed and an explanation of ISO. There are also chapters on using a digital darkroom and some post processing tips.

Overall the book does a fine job of explaining the basic techniques of lighting and exposure, but it really does try to cover a bit too much. The book does not go in too much detail on any one aspect which left me wanting a lot more.

Understandably the book is a light read with some amazing images (and each image has a brief explanation of settings used to achieve the image) and a good refresher for someone who already has a grasp of lighting and exposure, but if you are looking for a good starting point on lighting and exposure, this may not be the book for you.

Originally posted on 2*3 Photos