One Day, One Picture

August 1st, 2008 at 2:30 am

The Long and Short of Waterfall Exposures

For my 34th birthday earlier this month, I treated myself to a solo photography road trip/vacation. I picked up a copy of the book “A Guide to Colorado’s Best Photography Locations” by Andy Cook and chose a sightseeing spot to check out, deciding that I would head up Interstate 70 about four hours away from Denver to Rifle Falls State Park. I couldn’t miss the chance to experience a tropical oasis in this otherwise arid state, featuring three waterfalls, lush greenery and moss-covered rocks. While I was there, I took my tripod and experimented with the effects of fast and slow exposures while photographing water.

I was able to hand hold this shot at 1/60th of a second. The faster shutter speed freezes the waterfall.

At 1/13th of a second, the waterfall is in between worlds of being visibly slowed down, but still showing movement. At this point, you would have to have a steady grip to hand-hold this without camera shake.

A tripod is a must trying to capture this image at f/22 and 3.2 seconds. I tend to favor the slower exposure because I love the dreamy, almost otherworldly feel of the water. Which shot works for you?

January 24th, 2008 at 1:20 pm

Motion: Panning

Motion: Panning, originally uploaded by Sheba Wheeler.

Panning is another great motion technique photographers can use to imply action or movement, but it may require several attempts to master it.

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January 23rd, 2008 at 11:27 am

Motion: Freeze Frame

Winning, originally uploaded by Sheba Wheeler.

A few weeks ago, I posted about how using a slower shutter speed can create wonderful technical effects in your photography. This week, I tried my hand at cranking up the shutter speed to freeze action.

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January 11th, 2008 at 10:32 am

Motion: Slow Down Would Ya?

Clear Creek, originally uploaded by Sheba Wheeler.

One of the coolest camera techniques a photographer can play around with is “freezing” an object in motion to bring about a different perspective. To test out this concept, I took my camera to a still heavy and fast running Clear Creek in early Autumn and used a manually slowed down shutter speed to capture this mystical water transformation.

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