I have scored a few product shoots because of my demonstrated ability to take good pictures of glass objects. Truth be told however, there really isn’t a whole lot to it.

First step is to have the proper environment to shoot in. For me that means using my oversized DIY PVC Light Tent. It is big enough that the light is distributed really well within. For added measure, when I was building it and then making the second revision, I made sure that the fabric would cover any of the PVC so it would not show up as a reflection in the objects I was shooting.

Second step is, obviously, lighting it. When shooting in the big tent, I tend to go between two different placements for my lights. I use a pair of 27W, 5500K compact fluorescents in standard 10″ clamp light fixtures I got at Home Depot. Sometimes I will place them slightly ahead of center on either side of the tent. Other times I will put them overhead, either facing directly into the tent or bouncing the light off the rafters overhead (sounds goofy, but it works). I take a couple of shots, see how they look, and then readjust as necessary. Most of the time I can get a good idea of how the lights are working from peeking through the viewfinder and then adjusting.

I generally do one or two shots in auto mode to get some idea of the f-stop and exposure ratio, then start working from there. As you can see from the EXIF for the shot above, it can be fairly fast. But again, that depends on how you light it.

One key I have been working on is how to keep the camera reflection from appearing in the object. I account for this in a couple of ways:
1) The opening in my front curtain is only large enough to let the lens through.
2) I do not use any sort of lens hood.
3) When practical, I elevate above the object and shoot downward at an angle. Straight on shots are the worst for showing the camera lens, and I try to avoid this at all costs.
4) When 4 isn’t practical, I try to get any opaque objects on the surface of the object to be in the forefront.
5) When 3 and 4 don’t work, I just deal with the fact that the reflection is part of the image.

These things must be working, as I continue to get product shot engagements, and several specifically indicate it is because of my work with highly reflective surfaces.

I read a lot. I am one of those types who actually learns from reading…I know, odd in this day in age. Occasionally I will pick up books that seem to offer something for me to learn in their pages, sometimes it’s just because of a recommendation…and other times its on a whim.

I grabbed 100 Ways to Take Better Portrait Photographs on a whim while waiting for a friend to show up at Borders one day a few months back. I figured if nothing else it would be good to have something in the car to read when I had downtime.

Well the book wasn’t as full of learnable (is that a word?) knowledge as I had hoped, but it was full of page after page of inspirational images and techniques. On first glance the book is an easy paced guide to how to make beautiful people more beautiful in photographs. The models on ever page are simply gorgeous…from the women to the men to adorable children. I was very easily drawn in to the images and forgot the words.

But on each page you find an image and a technique that image shows.

I didn’t get a lot of technical know how from this book, but I did get a ton of inspiration from it. I honestly picked up my camera and started shooting anyone who would let me to try out some of the ideas from the book.

I rate this book 3 out of 4 stars, mainly for the inspirational images found inside and many of the clever techniques the book covers.

Originally posted on 2*3 Photos

Motion: Panning, originally uploaded by Sheba Wheeler.

Panning is another great motion technique photographers can use to imply action or movement, but it may require several attempts to master it.

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Sometimes you take a picture and you know in your mind that it could have been different or better if you had taken it on a different day or at a different time. Lighting can play a huge role in what your picture conveys. And this is where “Creative Photoshop Lighting Techniques” comes into play.
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