We received about 10″ of snow recently, so I took that opportunity to go get a new view of my normal surroundings (luckily my Sorel’s are good to about 12″ of snow). Got what I think is a great shot of this creek near my home. Converted it to a high contrast black and white in Lightroom. I wish it snowed more often.

I don’t recall where I first saw mention of the PRESSLite VerteX bounce card system, but I remember being intrigued. I think it was about 2 weeks ago, and I was so intrigued, I ordered one immediately. Two days later I had a box in my mailbox, the VerteX had arrived.

The box contained 10 pieces total, 4 of which are reflective cards (2 white, 2 mirrored). Putting it together was very easy, and I didn’t need the included instruction sheet. When putting it together, I did leave the protective film on one side of the mirrored cards so that they would be all good if I ever needed to flip over and use them. I’d say it took me a total of maybe 5 minutes to put this item together.

Then I had to figure out what to shoot. I wanted a simple scenario where I could show the effects of angling the cards, the card holder bracket, and also a control for what it looks like without any bounce. I settled on a small table in a corner, shooting downward with the flash on top of my camera. The photo at left is my control case. Throughout this series of test shots, please feel free to click on a thumbnail to see the larger photo.
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Merry Christmas / Happy Holidays to all. I have been seeing great pictures of holiday lights this season, and finally decided to try and take one of my own. The photo above is an HDR Exposure Blend (using Photomatix) of 7 exposures I took one morning. I also took some photos just using the ambient light and not doing the HDR thing. After reviewing these shots on the computer, I decided the white lights just aren’t very interesting. Normally we decorate the two large fir trees in front of our house with colored strings, but we opted not to this year. Rest assured, we will next year. That will give it some “life” I think. So instead, I will go out in search of other homes in our neighborhood to take pics of. I had better hurry, only a week to go before most people take their lights down.

Oh, and I should point out that the inspiration for this, besides the photos I linked to above, was a Strobist article about holiday light pictures. As is the norm with Strobist help, this article was wonderful for a rookie like me.

“The Art of Black and White Photography”, by Torsten Andreas Hoffman, is the latest Rockynook book that I have read. So far, only one Rockynook title has disappointed me. “The Art of Black and White Photography” was definitely not a disappointment.
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A friend of mine recently had an impromptu family reunion photo shoot come up. Her background, like mine, is traditionally more of an artistic type of photography. She indicated that she had trouble switching to photographer from artist and wanted to know how I managed it.

I was a bit taken aback by this, as I don’t really see myself as being good at the portrait thing (although people are loving Megan’s senior pics - the photo above is one of them). But that isn’t very helpful to anyone, so I thought about it and gave her my gut reaction. I have since thought about it more, and my gut reaction is the same, so here it is.

The focus of a portrait should be the person/ people/ animal that the portrait is supposed to be of. This might sound obvious, but it isn’t always that way, especially in post processing. It is easy for creative people to start saying “what if I cropped here, what if I applied sepia there?” and pretty much forget about what it is they are there to do. When I was doing the processing of the Senior Pictures for my daughter Megan, I had to look at it from my view as a parent. I want a tasteful image that reflects who she is, and where she is the focus.

Another reality with portraits is that people are going to be less likely to have any custom framing done. As such, any cropping you do should have a resultant image in a standard “frameable” size. Not to say some people won’t do the custom thing, but since portraits get sent to a larger audience (parents, grandparents, etc.), it is more helpful if you can keep it standard.

One of the cool things I love about Adobe Lightroom is the easy ability to create and work with virtual copies of an image. This is great for portraits. If I see a shot that might look better with a certain crop, displayed in black and white or sepia, or any other artistic variation, I can apply it to the copy, and upload that with the original and let the buyer choose which they like better. These people are the art directors, not you, and you need to give them all the options. Some might sell, some might not, but at least they will know the options. And if they like it, they will buy it from you instead of trying to do it themselves with whatever photo site they like.

I do still think there is room for being artistic in a portrait situation. I think the example above highlights one such opportunity. As Megan was climbing out into the stream, I saw this shot in my mind. So I stayed put on the banks of the stream and took this shot from further out. Then I clambered into the stream and did the up-close shots before we called it a day.

So in a nutshell, I guess the answer to my friend’s question is “don’t forget that it is about the people and what they want, not necessarily your vision.” But if you offer options, you are that much more ahead of the game.